Browse by Title

Walking in Paradise Walking in Paradise
Libby Creelman
ISBN 0-88984-216-7
Wanderlust Wanderlust
Megan Speers
ISBN 978-0-88984-329-5
Wayworn Wooden Floors Wayworn Wooden Floors
Mark Lavorato
ISBN 978-0-88984-351-6
What the Furies Bring What the Furies Bring
Kenneth Sherman
ISBN 0-88984-318-X
Welcome to Canada Welcome to Canada
David Carpenter
ISBN 0-88984-320-1
When Words Deny the World When Words
Deny the World

Stephen Henighan
ISBN 0-88984-240-X
While Breath Persist While Breath Persist
Gael Turnbull
ISBN 0-88984-133-0
A Wood Engraver's Alphabet Wood Engraver's
Alphabet, A

G. Brender à Brandis
ISBN 978-0-88984-311-0
Wood, Ink and Paper Wood, Ink and Paper
G. Brender à Brandis
ISBN 0-88984-029-6
Words for Elephant Man Words for Elephant Man
Kenneth Sherman
ISBN 978-0-88984-350-9
World Body World Body
Clark Blaise
ISBN 0-88984-284-1
Writers Talking Writers Talking
John Metcalf & Claire Wilkshire, eds
ISBN 0-88984-274-4

The Porcupine’s Quill is remarkable in Canadian publishing in that most of the physical production of our journal is completed in-house at the shop on the Main Street of Erin Village. We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid. The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.

To take a virtual tour of the pressroom, visit us at YouTube for a discussion of offset printing in general, and the operation of a Heidelberg KORD in particular. Other videos include Four Colour Printing, Smyth Sewing and Wood Engraving. Photographs of production machinery used on these pages were taken by Sandra Traversy on site at the printing office of the Porcupine's Quill, December 2008.

The Porcupine's Quill would like to acknowledge the support of the Ontario Arts Council and the Canada Council for the Arts for our publishing program. The financial support of the Government of Canada through the Book Publishing Industry Development Program (BPIDP) is also gratefully acknowledged.

“A healthy literature needs its small presses. Everyone knows that. Especially, it needs small presses that specialize in first books by unknown young writers. Everyone also knows that. It's common knowledge that first books in this era are likely to be story collections. Therefore, a conscientious publisher with national outreach who brings out attractive books with challenging content and hires committed editors to find first books of stories is performing the traditional role of the publisher: putting discovery ahead of profit. Everyone knows that, but rarely acknowledges it. It is also suicidal.” —Clark Blaise, author of World Body