Browse by Title

Learning to Live Indoors Learning to Live Indoors
Alison Acheson
ISBN 0-88984-201-9
Let That Bad Air Out Let That Bad Air Out
Stefan Berg
ISBN 978-0-88984-296-0
Lines of Truth and Conversation Lines of Truth
and Conversation

Joan Alexander
ISBN 0-88984-271-X
Little Comrades Little Comrades
Laurie Lewis
ISBN 978-0-88984-342-4
Lives of the Mind Slaves Lives of the Mind Slaves
Matt Cohen
ISBN 0-88984-139-X
Looking for Snails on a Sunday Afternoon Looking for Snails on
a Sunday Afternoon

Rudolf Kurz
ISBN 0-88984-256-6
Love in a Warm Climate Love in a Warm Climate
Kelley Aitken
ISBN 0-88984-200-0
Lovers & Other Strangers Lovers & Other Strangers
Carol Malyon
ISBN 0-88984-169-1
The Lover's Progress Lover's Progress, The
David Solway
ISBN 0-88984-229-9
Love Street Love Street
Susan Perly
ISBN 0-88984-224-8
Lunar Attractions Lunar Attractions
Clark Blaise
ISBN 0-88984-105-5
The Lusty Man Lusty Man, The
Terry Griggs
ISBN 0-88984-159-4

The Porcupine’s Quill is remarkable in Canadian publishing in that most of the physical production of our journal is completed in-house at the shop on the Main Street of Erin Village. We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid. The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.

To take a virtual tour of the pressroom, visit us at YouTube for a discussion of offset printing in general, and the operation of a Heidelberg KORD in particular. Other videos include Four Colour Printing, Smyth Sewing and Wood Engraving. Photographs of production machinery used on these pages were taken by Sandra Traversy on site at the printing office of the Porcupine's Quill, December 2008.

The Porcupine's Quill would like to acknowledge the support of the Ontario Arts Council and the Canada Council for the Arts for our publishing program. The financial support of the Government of Canada through the Book Publishing Industry Development Program (BPIDP) is also gratefully acknowledged.

“When I first joined up with The Porcupine's Quill in the late 80's, I knew nothing about the publishing world and now, several publishers later, I probably know more than is good for my mental health. What I do know for sure is that Tim and Elke and John set the standard. Okay, maybe not for stellar advances, but for artistic practice and accomplishment. For passion and nerve and exactitude. For reliability, and high, unwavering hopes, and hard hard work. At times it's been a prickly old porcupine, but one warmly embraced nonetheless and hugely admired.” —Terry Griggs, author of The Lusty Man