Awards & Acclaim: 2011

book photoCasanova in Venice by Kildare Dobbs  

Re-visit the life of history’s most notorious lover, from childhood to Casanova’s daring escape from the State Inquisition’s prison. Using eighteenth-century poetic conventions that Casanova himself would have cherished, Kildare Dobbs infuses this renegade’s legacy with a modern, witty and very hilarious bite.


prize

2011—ForeWord Magazine Book of the Year,
Shortlisted

prize

2011—ReLit Awards, Poetry,
Long-listed

book photoMystery Stories by David Helwig  

Mystery Stories is inhabited by absence: dead friends, past childhoods and ex-lovers. Others, stunned, are left behind to navigate the pitfalls of memory, while trying to make sense of lives built by people who are no longer there. This collection is an intricate addition to Helwig’s already large canon of rich, thoughtful stories populated by densely real people.


prize

2011—ForeWord Magazine Book of the Year,
Shortlisted

prize

2011—ReLit Awards, Short Fiction,
Long-listed

book photoKaleidoscope by P. K. Page  

Kaleidoscope is the first in a series of ten volumes to be published over the next ten years as a complement to an online hypermedia edition of the Collected Works of P. K. Page. Listed chronologically by date of composition, the poetry in Kaleidoscope is fluid, wondrous and technically exquisite, drawing on subjects great and small, and it offers a comprehensive look at one of Canada’s most beloved and brilliant poets.


prize

2011—ForeWord Magazine Book of the Year,
Commended

book photoComplete Physical by Shane Neilson  

Complete Physical will appeal to physicians and patients alike, which includes most of the multitude. Doctors can read the book and sympathize with its complaints; patients can read it and know the mind of their doctor better.


prize

2011—ForeWord Magazine Book of the Year,
Runner-up

prize

2011—Trillium Prize,
Shortlisted

book photoWanderlust by Megan Speers  

A wilful young woman revels in the surprisingly-inclusive communal aspects of life in the punk / anarchist counterculture as it was practised in the hardscrabble underbelly of Sault Ste Marie on the cusp of the 21st century.


prize

2011—ForeWord Magazine Book of the Year,
Shortlisted

book photoA Suit of Nettles by James Reaney  

A new edition of James Reaney’s classic long poem which has been described, variously, as ‘the toughest and funniest, most literary and most serious long poem in English-Canadian literature’ (Germaine Warkentin) and conversely as ‘whimsical self-indulgence’ (W. J. Keith). A Suit of Nettles won the Governor General’s award for poetry in 1958.


prize

2011—ForeWord Magazine Book of the Year,
Shortlisted

book photoJoyce Wieland by Jane Lind  

A look at the early aspirations and fears of a young woman who would become the renowned Canadian artist Joyce Wieland. A very fascinating personal story unfolds in a series of diaries, kalideiscopic streams-of-consciousness and sketches, of a self-developing individuality and of the philosophical literacy of one of Canada’s great artistic innovators.


prize

2011—ForeWord Magazine Book of the Year,
Shortlisted

prize

2011—Alcuin Award for Excellence in Book Design,
Commended

book photoBook of Hours by George A. Walker  

In the Book of Hours, award-winning wood engraver George A. Walker creates a modern-day, secular devotional that captures in narrative imagery what is too devastating for words: the individual moments of innocence and routine life that ended with the onslaught of 9/11.


prize

2011—ForeWord Magazine Book of the Year,
Shortlisted

book photoLittle Comrades by Laurie Lewis  

Little Comrades tells the story of a girl growing up in a dysfunctional left-wing family in the Canadian West during the Depression, then moving, alone with her mother, to New York City during America’s fervently anti-Communist postwar years. With wit and honesty, Laurie Lewis describes an unusual childhood and an adventurous adolescence.


prize

2011—Globe Top 100,
Commended

prize

2012—ForeWord Magazine Book of the Year,
Shortlisted

The Porcupine’s Quill is remarkable in Canadian publishing in that most of the physical production of our journal is completed in-house at the shop on the Main Street of Erin Village. We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid. The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.

To take a virtual tour of the pressroom, visit us at YouTube for a discussion of offset printing in general, and the operation of a Heidelberg KORD in particular. Other videos include Four Colour Printing, Smyth Sewing and Wood Engraving. Photographs of production machinery used on these pages were taken by Sandra Traversy on site at the printing office of the Porcupine's Quill, December 2008.

The Porcupine's Quill would like to acknowledge the support of the Ontario Arts Council and the Canada Council for the Arts for our publishing program. The financial support of the Government of Canada through the Book Publishing Industry Development Program (BPIDP) is also gratefully acknowledged.