Awards & Acclaim: 2007

book photoWorld Body by Clark Blaise

Clark Blaise is more than just a local colourist who ferrets out the curious details of ‘marginal’ communities in order to delight cosmopolitan readers. Rather, if we consider the full arc of his work, we see that for nearly fifty years he has been challenging the way that we understand the concept of place in contemporary Canadian and American literature.


prize

2007—ForeWord Magazine, Book of the Year (Short Stories),
Shortlisted

prize

2007—ReLit Awards, Short Fiction,
Long-listed

book photoHand Luggage by P. K. Page

Towards the end of a long and passionate life, P K Page shares in a most engaging form the highlights of a life lived to the full.


prize

2007—ForeWord Magazine, Book of the Year (Autobiography/Memoir),
Shortlisted

prize

2007—City of Victoria Butler Book Prize,
Shortlisted

prize

2007—ReLit Awards, Poetry,
Long-listed

book photoThe Book of Were by Wayne Clifford

The nature of the Deity, illuminated first through a prism of found nineteenth-century steel engravings, is subsequently reconsidered by the most famous lost Canadian poet of the 1960s.


prize

2007—Alcuin Society,
Runner-up

book photoZero Gravity by Sharon English

Zero Gravity is Toronto author Sharon English’s second collection of short stories. The book is rooted in Vancouver, with side trips to British Columbia’s Kootenay mountains, Montreal and Delphi, Greece. English’s characters lead accelerated lives only to be seized by spiritual emptiness. Their attempts to escape — by joining, by quitting, by falling in and out of love — make for funny, insightful and intense reading. The author presents a fly’s-eye view of urban experience, coming at city life from multiple angles that unite, as the book progresses, into a vivid experience of isolation and adaptation. The book’s unusual imagery and controlled prose deliver an edgy and anxious commentary on a new century.


prize

2006—Globe Top 100,
Commended

prize

2007—Giller Prize,
Long-listed

prize

2007—ReLit Awards, Short Fiction,
Shortlisted

The Porcupine’s Quill is remarkable in Canadian publishing in that most of the physical production of our journal is completed in-house at the shop on the Main Street of Erin Village. We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid. The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.

To take a virtual tour of the pressroom, visit us at YouTube for a discussion of offset printing in general, and the operation of a Heidelberg KORD in particular. Other videos include Four Colour Printing, Smyth Sewing and Wood Engraving. Photographs of production machinery used on these pages were taken by Sandra Traversy on site at the printing office of the Porcupine's Quill, December 2008.

The Porcupine's Quill would like to acknowledge the support of the Ontario Arts Council and the Canada Council for the Arts for our publishing program. The financial support of the Government of Canada through the Book Publishing Industry Development Program (BPIDP) is also gratefully acknowledged.