Awards & Acclaim: 2004

book photoA Day's Grace by Robyn Sarah

Eric Ormsby wrote that ‘So assured and musical is the hand that shaped them that these poems tend to memorize themselves, as though they had always formed part of our experience.’ This is Sarah’s sixth full-length collection, marked by its humility, joy and philosophical elegance.


prize

2004—A. M. Klein Prize for Poetry,
Shortlisted

book photoSo Beautiful by Ramona Dearing

‘In her first book Ramona Dearing has shown us her ability to almost effortlessly touch the core of what matters. She is a funny and serious writer, a writer who asks all the right questions while being smart enough to never pretend she owns the answers.’ -- Danuta Gleed award judges’ citation


prize

2005—Winterset Award,
Shortlisted

prize

2005—Danuta Gleed,
Runner-up

prize

2004—Globe Top 100,
Commended

book photoA Tourist's Guide to Glengarry by Ian McGillis

This book is a tribute to a real neighbourhood at a special point in time -- working class north Edmonton on the cusp of the oil boom. McGillis has drawn partly on figures from his own late 60s, early 70s childhood, including a maverick substitute teacher with a predilection for Eastern philosophy, a nine-year-old champion of civil rights, a chain-smoking ten-year-old son of anti-war radicals and baseball immortal Roberto Clemente.


prize

2003—Globe Top 100,
Commended

prize

2004—Stephen Leacock Award,
Shortlisted

book photoLooking for Snails on a Sunday Afternoon by Rudolf Kurz

Edward Gorey and Max Ernst meet Dinotopia in Wonderland.

This is a collection of fantastic etchings by artist Rudolf Kurz, a man of surreal imagination wonderful talent. Allison Sivak of the Canadian Book Review Annual writes, ‘As the evocative title suggests, Looking for Snails on a Sunday Afternoon is about spending time focusing on the disturbing and pleasurable images inside.’


prize

2006—Der Schoenste Bucher aus Aller Welt,
Shortlisted

prize

2005—Alcuin Society,
Commended

prize

2004—Unisource Litho Award,
Winner

The Porcupine’s Quill is remarkable in Canadian publishing in that most of the physical production of our journal is completed in-house at the shop on the Main Street of Erin Village. We print on a twenty-five inch Heidelberg KORD, typically onto acid-free Zephyr Antique laid. The sheets are then folded, and sewn into signatures on a 1907 model Smyth National Book Sewing machine.

To take a virtual tour of the pressroom, visit us at YouTube for a discussion of offset printing in general, and the operation of a Heidelberg KORD in particular. Other videos include Four Colour Printing, Smyth Sewing and Wood Engraving. Photographs of production machinery used on these pages were taken by Sandra Traversy on site at the printing office of the Porcupine's Quill, December 2008.

The Porcupine's Quill would like to acknowledge the support of the Ontario Arts Council and the Canada Council for the Arts for our publishing program. The financial support of the Government of Canada through the Book Publishing Industry Development Program (BPIDP) is also gratefully acknowledged.